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A
Season in Florida
by
Emanuele Pettener
Not
that I wouldn’t like to get into Cristina’s panties.
I would. The problem is that she’s Helen’s daughter
and Helen is a student of mine, though she’s twenty years
older, I’m almost thirty-three, she’s almost fifty-three,
topaz-green eyes and perky white tits, a past as a jazz singer
and a sudden coming-back to school. I wouldn’t mind getting
into Helen’s panties either, of course, but she’s
a friend of mine, she’s a student in my Italian 101, and
the contract says something about not sleeping with my students
of Italian 101: it’s not professional.
Tonight
I had dinner at their house. Cristina had the eyes of a phoenix,
dark eyes, laced with melancholy, the doe-eyed melancholy of the
twenty-year-old, of the twenty-year old beauty. A wine goblet
in one hand and a book in the other, she was laid out on the sofa,
barefoot, occasionally putting down her wineglass to phone someone
and read out passages from her book.
In
the meantime I was being introduced to the other guests and listening
to Helen mangling French to a French couple. We talked about how
much we missed not just France or Italy, but Europe itself, the
musty smell of churches and marble tile, the cafés, the
public squares and other idiocies – but I was thinking of
Cristina’s feet.
They
were unfathomable, delicate and crushed, small bruised bronzes,
and their leather sandals forsaken on the carpet languorously
called to me. I was dying to gather them up and cover them with
kisses, and then kiss and lick her elfin feet and dry them with
my days old beard.
So,
I was gulping down wine from the green vineyards of California
and remarking the similarities of Naples and Marseilles, though
I had seen neither, but I was constantly spying on her. We were
in the large kitchen preparing salads and paté-filled tarts,
and Jeffrey, Helen’s athletically built husband, was barbecuing
by the side of the pool. Cristina - jeans, white blouse, Grecian
tresses and bare feet, feet on which sun and sandals had left
their mark, feet like those of the Athenian messenger from Marathon
who had run God knows how long to report the victory against the
Persians and collapsed - was in the big living room, reading passages
from this book over the phone.
We
had an excellent dinner, Cristina, Helen, Jeffrey, their doddering
uncle Dan, the French couple and the French husband’s son,
a fourteen year old who had lost his mother ten years ago and
was still using it as a pretext to be totally obnoxious, rude
to Helen (“the salad dressing is horrid”) and as arrogant
as a ballerina at the Scala. Therefore, when the conversation
turned to a celebrity couple who had lost a child and Helen said
something really original, “it’s terrible to lose
a child”, I said: “depends on the child”. Just
then, Cristina, who was sitting next to me, burst out laughing
with so much gusto that my insides started tightening with pleasure
as her foot – naked – inadvertently brushed against
mine and I breathed in all the scent of her, wanted her lips,
and fantasized her against the garage door moaning with delirium
while my hand slithers inside her panties and strokes her pubic
hair until it’s gummy with white cum. I don’t know
why I fantasize that, as I’m jerking her off with one hand,
I’m dancing the Twist.
That’s
enough wine for you, I thought.
So
I started talking to her. I know she’s Helen’s daughter
and I hope Helen didn’t catch on, but I was alone and lost,
and her daughter had eyes dark as the Arabian night and the feet
of an Egyptian goddess, and I asked her: “What are you reading?”
I
lost myself in her eyes, and she in mine. I’ve always had
a way with women, and she got all excited when I asked about her
book – she unexpectedly got up to get it, and I saw her
rise with all the grace of a twenty-year old girl, and I became
earth and stone, I was filled with love for mankind, I felt fire
rise within me, oh unforgettable moment of bliss! Up she rose
and her ass was regal, languid, an ass begging to be bitten, an
ass on which to succumb to slumber. She had the ass of a queen
of Persia... but just then I was buttonholed by Uncle Dan.
Uncle
Dan is the typical well meaning American senior, deaf and patriotic,
and his enormous eyes look at you through inch thick spectacles.
He makes very tasty cocktails, argues that America has always
done good in the world and been repaid with crumbs, wants to bomb
the Middle East China and Korea, and still gets all soft inside
when he remembers the bombs over Nagasaki and Hiroshima. But my
darling one called me over with a smile that transfixed my flesh,
so I left Uncle Dan and the rest of the company, saying that I
had been summoned to the couch. I rose respectfully and approached
her, sitting and modeling myself to her soft and slender side.
“Here’s the book”, she said, and smiled her
smile, her lips all dew and rubies, her eyes reflecting an ancient
past, the gold and camellias of her naked feet, and I couldn’t
figure out whether all of her enthusiasm was for me or for the
book she was reading. “It’s changing my life,”
she said, “It’s opening my mind,” she said.
I read the title: THE PATH OF BEING. Sub-title: HOW TO CHANNEL
POSITIVE ENERGY AND DEFEAT NEGATIVITY. I shuddered all over. My
attraction for what disgusts me caused me for a moment to forget
Cristina, who in the meantime was babbling and saying things that
didn’t make sense to show her admiration for the book. Her
mother had asked her to make coffee, so she jumped up and I was
left alone on the couch. I went to the back of the book’s
jacket for a look at the author’s photo. He was a jaundiced
looking dude with the eyes of a hyena and a stringy beard, who
defined himself a “Spiritual Teacher” and who, after
the international success of the book, with translations published
in 15 countries, travels the world “teaching soul”.
I couldn’t resist reading the Introduction. Mr. Jaundice,
a guy my age, recounts how he used to suffer from depression and
suicidal urges, but that one night, at the nadir of his desperation,
there was revealed to him this Truth: that we must free ourselves
of Ego, which is nothing but an illusion created by our Psyche
and prevents us from living in the present, so that the Energy
can flow into our lives and makes us conscious of our Being.
The
book explains how it’s done, and Mr. Jaundice is a millionaire.
No, it’s not that it comes as a surprise. The world is full
of people who fill the void in other people with their own shit.
It’s that we still don’t understand our ever-fading
feelings, this sagging of the flesh, the death of someone we have
dearly loved, this blinding loneliness, this pain to be chewed
on like a bitter herb, the injustice we put up with, the careers
we pursue, the weekends at the shore, and the incongruities are
so tortuous that this shit gets translated into 15 languages and
sells like hotcakes. It was then that I also felt empty, desperately
empty, and no amount of shit could have filled me up. Cristina
came to sit next to me again and I looked into her eyes. She was
smiling and saying, “If you’d like, I could lend it
to you,” and I just couldn’t forgive her, I had turned
to ice and was filled with loathing for mankind, and I no longer
longed to caress her feet. Now I understood why, as I jerked her
off against the garage door, I was doing the Twist.
The
Florida night swelters, immense. June’s almost here and
it’s like being stuck to flypaper and I couldn’t go
home. I was smoking a cigarette and feeling the wine come up again,
so instead of going home I stayed on Glades road and came to a
sort of discotheque.
My
god, I hadn’t been in one since I was fifteen. There was
a frightfully large crowd, an undifferentiated human tide enveloped
in darkness and smoke, with a square foot of space per head, squeezed
in like slaves in the hold of a galley. On stage, a band was making
an unearthly din while the white lead singer in a black miniskirt
was shouting into the mike, and the rhythm was always the same
– a hammering to make your eardrums bleed. But the dancers
moved, shook their rumps, swayed their hips and shoulders, punched
out, and jerked their heads back and forth. I was elbowed by a
blond and turned to hear her “Sorry”, but nothing:
there’s no time to apologize in a disco. So I forged on
through a forest of arms and legs, on my way to the bar to order
a whisky, when ... BANG!
Another
elbow. I turned to hear the “Sorry” – zilch!
As if nothing had happened. They all have calluses on their elbows,
but the latest offender caught my attention. He wasn’t young,
57 or so, yes, your average 57 year old, white hair brushed back,
white shirt, cotton sweater around his shoulders, linen pants:
the typical divorced 57 year-old with a Jaguar and two kids somewhere
who never forgave him, a boy and a girl, and there he was with
a thirty-year old woman, each squeezed into their one square-foot
space and he was dancing, dancing away (the thirty-year old was
standing still and sipping a drink) and the more the band pounded
the same obsessive rhythm, the more he tossed and turned and danced
in every possible position, circling and stroking the woman and
sketching out waltzes, tangos, and mazurkas, stretching his arms
and shaking his ass. But what struck me most of all was his face
– extreme concentration, mouthing the lyrics, eyes closed,
sucking in his cheeks and biting his lower lip as if he was mainlining
the music, as if he could “feel the beat” –
as if he were young. I felt abject pity and disgust, but I couldn’t
take my eyes off him. It was one of the most perfectly ridiculous
spectacles I had ever seen. The thirty-year old was giving him
a motherly sort of look – but he was a 57 year-old making
believe he was seventeen, and that the music meant something to
him. Bitterness gripped my heart to think that all of these people,
too, were filling their personal void with shit, and were huddling
in the sweaty intimacy of a disco gesticulating wildly like monkeys
to the pounding of an obsessive and monotonous rhythm. How could
they be enjoying this? It was scientifically impossible, but the
need to believe in it was great, because it was Saturday night,
and Monday morning they were going back to work. The old fool
kept on stomping and shuffling like a
primate in heat, and I thought of what he might say if I kept
on staring at him: “What the fuck are you staring at?”
Then I’d make believe I was coming back down to earth, and
I would beg his pardon and smile and say I was thinking about
something – and the old man really did say: “What
the fuck are you staring at?”
I
threw a tremendous punch that caught him smack on the mouth, a
beauty of a punch, a devastating punch, and he fell back in the
midst of the crowd like a bleeding sack of bananas, while other
bodies crashed like so many bowling pins around him, and I wiggled
out quicker than a snake and in less than two minutes I was in
my car.
That’s
how I spent tonight here in South Florida, but I’m sad when
I think of Cristina and how to talk to her and explain that the
book was pure shit. I could try to educate and love her and feel
good, and live only for her smile, because I need beauty in my
life, I have an incredible need for beauty, for talent and beauty,
and I need to be loved, yes, I also need to be loved, maybe by
an Athenian girl, or even by a cat – a cat is even better,
because I find humans really disgusting.
(First
published in Nuova Prosa n.39. Translation from Italian by Tom
di Salvo.)
©
Emanuele Pettener 2008
_______________
Emanuele
Pettener was born in Venice, Italy, has lived
in the United States since 2000, and teaches Italian language
and literature at Florida Atlantic University (Boca Raton). Emanuele's
short stories have appeared in Italian and American magazines
and his first novel "Ã sabato mi hai lasciato e sono
bellissimo" will be published in Spring 2009 by Corbo Editore
(Ferrara). website: www.pettener.net
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